Dear Novelist,

Okay, here we are: more than halfway through, right in the thick of it. Probably at this point the last thing you want is a big lecture on Writing and How You're Supposed to Do It. So I'm not even going to talk about writing.

Instead I'm going to talk about a metaphor for writing. Better, right?

Let's say you're not a writer hard at work on your first novel. Let's say you're a Tribute who's just been selected for the Hunger Games. You're freaking out because you're facing almost certain death in the Arena. And instead of a published author, I'm going to be that drunk guy who's supposed to be telling you how to survive.

It's a good fit. Like Woody Harrelson, I am short and bald. But more important, I've done this before and lived. So I'm here to tell you: it is survivable.

Writing Requires Nerve

Which brings me to my first point. Writing a novel belongs to that category of thing—like surviving the Hunger Games, and eating an entire large pizza by yourself—that appears to be impossible but actually isn't. I've written four of them, with another coming out next year, and every time around halfway through, I get to a point where I say to myself: let's admit it, this just isn't going to happen. Given the number of words I have written, and the number of words I have left to write, and the rate at which I am currently producing words, and the cruddiness of said words, it is mathematically and physically impossible that I will ever finish this book. It's like the arrow in Zeno's paradox: it'll never get there.

But the thing is, the books do get there. It astounds me every time, but the books get done. How? It's not about having some triumphant breakthrough moment. Being a novelist is a matter of keeping at it, day after day, just putting words after other words. It's a war of inches, where the hardest part is keeping your nerve. The number one reason why people who want to write novels don't is that they lose their nerve and quit.

So heads up: once you get in that Arena, Tributes are going to be biting the dust to the left and right of you, and it'll be because they've lost their nerve. But that won't happen to you. You're going to keep your nerve. If talent exists, that is talent.

Writing Comes with Doubt

So, you are a Tribute for the Hunger Games but you don't feel confident. You feel like junk. Like you have no idea what you're doing. Sometimes you pick up your bow and arrow or your throwing knives and you're like, I don't even remember how these things work. Why? Why are you different? What is wrong with you?

So this is point number two: nothing is wrong with you. You're not different. Everybody feels as bad as you do: this is just what writing a novel feels like. To write a novel is to come in contact with raw, primal feelings, hopes and longings and psychic wounds, and try to make a big public word-sculpture out of them, and that is a crazy hard thing to do. When you look at other people's published novels, they seem gleaming and perfect, like the authors knew what they wanted to do from the start and just did it. But trust me: they didn't know.

What you're feeling is not only normal: it's a good sign. A writer—someone once said—is a person for whom writing is difficult. That resistance you're feeling is proof that you're digging deep. To write a novel is to lose your way and find it over, and over, and over again.

A lousy draft proves nothing. Rough drafts are rough—everybody's are. Being a writer isn't like being a musician. You don't have to get it right every day. The wonderful thing about being a writer is, you only have to get it right once. That's all anyone will ever see. The only bad draft is the one that doesn't get finished.

So get back at it. Let the others lose heart and give up. You stay out there in the woods. The weapons of a writer, James Joyce once wrote, are silence, exile, and cunning, and probably he wasn't thinking of the Hunger Games when he wrote that—probably—but it fits the metaphor. While Tributes are falling left and right, you will fashion man-traps from ninja stars, steal weapons from the fallen, and bide your time, and when you're ready you will come out of those woods like an avenging angel of death.

Forget that stuff about the odds being ever in your favor. What does that even mean? Screw the odds. There are no odds. You're a writer, and writers make their own odds.

I'll see you in the Victors' Village.

Lev

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Lev Grossman is the author of the bestselling novels The Magicians and The Magician King.